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WE OPERATE
AUSTRALIA SHOPPING WORLDS IN GERMANY AND AN EXTENSIVE MAIL ORDER SERVICE, OFFERING
NEARLY
EVERYTHING FROM AUSTRALIAN CLOTHES TO DIDGERIDOOS.
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Limburger
Str. 14
50672 Köln/Cologne Germany |
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Tel:
0221 - 121617
Fax: 0221 - 913 0650 |
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Mo-Fr 11-20 Uhr, Sa 11-16 Uhr |
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Vorsetzen 54
20459 Hamburg
Germany
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Tel:
040 - 33442232
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Mo-Fr 1100-19.00, Sa
1100-16
Uhr
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Dachauer Str. 109
80335 München / Munich
Germany |
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Tel: 089 - 542 8391
Fax: 089 - 5231 5487 |
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Mo-Fr
11-19, Sa 10-14
Uhr |
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Wallstrasse
66
10179 Berlin-Mitte
Germany
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Tel:
030 - 9700 5251
Fax: 030 - 9700 5232
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Mo-Fr
11.00-19 Uhr,
Sa 1100-15 Uhr
|
|
Limburger
Str. 14
50672 Köln/Cologne Germany |
|
Tel:
0221 - 121617
Fax: 0221 - 913 0650 |
|
Mo-Fr 11-20 Uhr, Sa 11-16 Uhr |
|
Vorsetzen 54
20459 Hamburg
Germany
|
|
Tel:
040 - 33442232
|
Mo-Fr 1100-19.00, Sa
1100-16
Uhr
|
|
Dachauer Str. 109
80335 München / Munich
Germany |
|
Tel: 089 - 542 8391
Fax: 089 - 5231 5487 |
|
Mo-Fr
11-19, Sa 10-14
Uhr |
|
Wallstrasse
66
10179 Berlin-Mitte
Germany
|
|
Tel:
030 - 9700 5251
Fax: 030 - 9700 5232
|
|
Mo-Fr
11.00-19 Uhr,
Sa 1100-15 Uhr
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Art
Gallery
A
new addition to our range of products are original tree-bark paintings
from the Millingimbi community, a tribe which lives on a small island
belonging to Arnhem Land north of Darwin.
The paintings tell of the old mythology of Australia’s
original inhabitants and give proof to an uninterrupted culture
spanning 30,000 to 40,000 years.
The mythology, as well as the skills needed to paint, were
handed down from father to son, respectively from uncle to nephew.
Through these paintings at various ceremonies the young men
were introduced to their tribes history bit by bit, a history which is
based on the occurences of the “Dream Time”.
Each
of the pictures that we would like to present to you has it’s own
story, a story which is as unique as the artist to whom it was handed
down.
Please
click on the pictures to enlarge them ! (longer loading time for
better definition)
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Artist:
WULURRK
In this
picture the artist shows the “Thunderman“ DJAMBUWAL, an
ancestor from the Dream Time.
Djambuwal lives in the rain clouds.
He is responsible for rain and for the irrigation of
the land. He is
also a good spear fisherman.
He is depicted here with his spear looking down at the
artists land. The
rivers and lakes are full from the rain that flows from
Djambuwals’ penis. The
criss-cross background symbolises the artists land.
Size
approx. 82 x 46 cm Price: 450,- € |
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Artist: MANUWA
This
picture belongs to the "Dhuwa Ngarra Ceremony",
which is only carried out every 3-4 years.
It serves to continue the young men’s education in
further clarifying the mythology of the clan they belong to.
MURAYANA, an ancestor from the Dream Time killed
BUL'MANDJI, the mystical shark, with his holy Stingray
Spear. After this
shark was carved, each part of it became a part of the land
that was awarded to the artists tribe.
Size
ca. 81 x 44 cm
Price: 398,- €
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Artist: YUWATI
Man
believes that the turtles were the creators of the Rain Time.
In this picture the turtle swims from the depths of the ocean
to the surface to beg for rain, as well as the related
fertility. The coloured triangles on the border of the bark
symbolises the different cloud formations that were present in
the Rain Time. Black stands for the dark thunderstorm clouds,
the lighter coloured triangles stand for rain, and the red for
the magnificent sunshine in the Tropics.
Size
ca. 106 x 39 cm Price: sold
!
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Artist: MONDJINGU
During
their trip through and along the coast of Arnhem Land, the
Djangawu Sisters entered the Mildjingu Land. There they
created the Nangutji Waterholes, where they put their mystical
"Digging Sticks" (little sticks with a sharpened
head) in the Earth.
This story
from the mythology, coming from the Dream Time, is all told by
the artist in the picture. The circles symbolise the
waterholes. The permission to paint this picture came from the
artists Uncle on his Mother’s side.
Size
ca. 90 x 46 cm Price:
sold !
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| Further artwork in a short ..... |
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Techniques
used to produce these tree bark paintings:
First
of all the bark must be sought and found. The bark used is found on
the Eucalyptus Tetrodantus tree. After thorough examination – to
eliminate the chance of getting faulty bark, like, for example,
crippled fibres etc. – is the bark removed from the tree trunk. It
is removed by making a horizontal cut on the tree to the width that is
desired. A second cut is then made to the desired height. Through a
vertical pull from the bottom cut to the top cut, the bark can very
carefully be freed from the tree trunk.
The
bark cylinder is made flat and dried out over an open fire. The bark
is then layed in the sun for about 2 weeks and held flat with some
heavy stones. After the bark is fully dried out, the next process can
begin.
First
of all the inside of the bark must be cleaned with the help of a sharp
stone or a sharp knife. This is to make a smooth surface that will
hold the colours. The colors are made by mixing sandstone and
whitewashed clay. On a stone base, the coloured stones are smashed
until they are a powder. To obtain the necessary colour, the powder is
mixed with more or less water. The juice of wild orchids are used as a
fixer.
In
most cases, the bark is given a red-coloured background. As a
paintbrush, a branch of a bush is cut off and used. For the fine
details in the end, a brush is made from human hair.
Australia
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